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MOVIE: Edward Zwick’s films always strike a excellent chord with me because of their amazing emotional impact. The Last Samurai left such a colossal impact on me that I was in tears at its fabulous and emotional climax. The Blood Diamond does the same thing by establishing strong central characters with a distinct unbiased that makes the film attractive and tense. The record revolves around Solomon Vandy (Djimon Hounsou) a local fisherman whose village is raided by local militia who are at civil war over the control over the diamond fields. These events took region in the gradual 90’s and it serves as the backdrop of the film. Danny Archer (Leonardo DiCaprio) is a Rhodesian smuggler who works for a corporate diamond company in London he also works as a mercenary. He smuggles diamonds to the corporations so that they can select them off of the market thus keeping supply coarse and examine high, that arrangement they spike the prices. After Vendi is removed from his village and his family separated, he is build to work in the diamond fields where he comes across a pink diamond so rare that it could change the fate of not only his life but a nation’s. Vandy is able to speed his imprisonment by the rebels but is save in prison by the police, and in prison he meets Danny Archer who now wants to location his sights on the hidden diamond. When Archer meets Maddy Bowen (Jennifer Connelly), an American journalist, she believes that his myth holds the key to revealing the truth slow the diamond corporations. When Vandy’s son is recruited by the rebels he sets out on a quest to glean his son while Archer wants the diamond so that he can leave Africa and begin his scared life over. Arnold Vosloo plays a general who is also after the diamond. So we have four people after one tiny stone for four different reasons.
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The film has many sides to it. At times it’s a dim examine into the social and economical conflicts of Africa, sometimes it becomes a burning commentary on the nature of man, but overall this film is an intimate epic of three characters placed within the setting. The main fair of the film is to explain the legend of the characters where as in films like Tears Of The Sun or Sad Hawk Down it’s more about sending a central message. I’m not saying the latter films are abominable, I enjoyed Tears Of The Suns and Dark Hawk Down immensely. I’m also not saying that Blood Diamond is not trying to send a central message either. It’s unbiased that Blood Diamond really tries to articulate a fable, honest like Zwick did with The Last Samurai. While the film portrayed a civil struggle in Japan it was more focused on Tom Cruise’s and Ken Watanabe’s characters so that when tragedy struck it had a strong emotional impact on the audience. Blood Diamond is not only emotional but it’s incredibly tense and thrilling. There is lots of action in the film and the final air raid was executed perfectly. The memoir is solid and the film is an expansive accomplishment. The reason why I knocked off half a star from my final rating was that I had two minor problems with the movie. There were places where a few tweaks could have heightened the emotional impact of the film and have kept the chase of the film more consistent. However, it is whithout a doubt that the film was superbly edited. The whisk and structure were very consistant and strong. I was ecstatic by the script, Charles Leavitt did a blooming job with the screenplay even though he has taken a long smash from writing since his last difficulty with K-Pax. The second thing that bothered me was that once the movie ends and the credits inaugurate to roll we are hit with this hardcore rap song. I was absolutely unnerved and disapointed with the decision to utilize rap in the ruin credits, it ruined the lasting achieve of the film within a split second.
The film also displays some fantastic artistic efforts. The cinematography is absolutely radiant. There is a very pleasurable chance that Eduardo Serra should be one of the directors of photography nominated this year at the Oscars. Some of the shots were truly breathtaking and of course you have to give credit to fair landscapes of Africa. The film’s salvage was calm by James Newton Howard who relied heavily on African vocals for the unbelievable rep. I have to mention here that Hans Zimmer is the pioneer of incorporating native sounds into a film’s catch based on place. Zimmer made African vocals his speciality with films like A World Apart, The Power Of One, The Lion King, and Tears Of The Sun. You have to respond the Zimmer style in the fetch, but James Newton Howard makes it completely his absorb and delivers an extraordinary accumulate. There were scenes where I wished the gain was more prominent, but overall I was very gratified with the musical efforts. All of the artistic efforts effect together with the fable compose Blood Diamond what it is.
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ACTING: Does Leonardo DiCaprio give his best performance yet? In my concept I really judge so. He was fabulous in the film and created a perfectly accessible character that we cared for. Many people are criticizing his accent when in fact he is using an extremely authentic Rhodesian accent. People retract that since he is white and an African he must be South African. That’s not the case here, people. DiCaprio does an unbelievable job with the role. Djimon Hounsou is also equally astonishing in the film. There are a few intimate scenes with his son that will bring you to tears. He plays an uneducated fisherman with his only interests in his family, but it is his character that shows the wonderful of mankind in the middle of this mess. Jennifer Connelly is a titanic actress and she portrays a journalist impartial as a journalist would act. She uses her wits and looks to net the memoir, but her priorities are not to design headlines but rather to relieve change the world for the better. Arnold Vosloo has a diminutive role in the film, but I like him and consider he’s an underrated actor. People will glance him from The Mummy films and his guest role on the demonstrate 24. The acting in this film is obedient, the characters all carry the film and form it something to remember.
BOTTOM LINE: Blood Diamond is intriguing, thrilling and emotional. I shed some tears when I saw The Last Samurai and I indeed shed some tears when I saw Blood Diamond. It’s an action film with so worthy substance, it really pulls you in as an audience member. The few structural problems and the rap song at the demolish credits are not enough for me not to highly recomend this film.
Greed is the dim heart of “Blood Diamond,” director Edward Zwick’s (”The Last Samurai”) uncompromising leer into the underground trafficking of illegally-traded gems in sub-Saharan Africa. Greed of depraved men for power, greed of an amoral mercenary willing to sacrifice anything for a chance to flee Africa, greed of Western businessmen who view to artificially control the diamond market, and the greed of a simple man for his family’s return. This movie powerfully demonstrates the valuelessness of a human life to those persons obsessed with blood diamond collection in war-ravaged Sierra Leone.
Djimon Hounsou plays Solomon Vandy, a simple fisherman and father of two who witnesses his idyllic existence crumble before his eyes. Rebels seeking fresh recruits, slaves, and random carnage swarm into his village. They steal his adolescent son and other young men as future cadets in their guerilla army–following top-notch brainwashing and manipulation techniques–before then getting down to the exact business of slave collection. Seemingly devoid of any mental workings besides casual sadism, these bandits top-off their kidnapping and slave-taking expend with the mutilation and execution of men deemed too troublesome for them to bother with. Vandy is rescued from dismemberment at the last diminutive when the rebels gape his strength, seeing it as an asset they can employ in their constant search for capital: the blood diamond pits. Condemned to toiling underneath the blazing sun with nary a chance of reaping any encourage (besides possible continued survival) for his efforts, Vandy happens to explore an egg-sized blood diamond hidden in the streambed. Hiding it underneath his foot, he buries it when the rebel encampment is attacked by government troops. The only behold to his “theft” is the wounded slave captain–now captured, along with Vandy, by government forces–who swears that the archaic fisherman will soon be begging to sigh the diamond’s whereabouts.
Parallel to Djimon’s character’s storyline is the epic of Danny Archer (Leonardo DiCaprio), an opportunistic solider of fortune caught within a dichotomy of conflicting motivation. He desires sprint from Africa at any cost, yet secretly knows that his blood will someday mix with the earth of his homeland. Perhaps it is this realization that he is doomed which propels Archer forward: in every action and every word, he seems to be bold destiny to obliterate him. Taken in and trained from a young age by Colonel Coetzee (Arnold Vosloo), Archer is easily the most uncertain entity alive on the continent: ruthless, misanthropic, callous, manipulative, and incredibly lethal with bullet and blade. After a close-call haggling with rebel leaders over comely prices for blood diamonds, Archer is arrested for smuggling while crossing the Sierra Leone border. It is here that he intercepts the distraught Vandy and begins weaving a thought to achieve himself from the war-torn country: by dangling the freedom of the fisherman’s family as bait to cajole Vandy into revealing the grand diamond’s set. Solomon, though a simple man, is not so easily fooled. He eventually agrees to support Archer–but only if the mercenary agrees to serve locate his family and also permit Solomon to be his disappear companion.
There is barely time for indrawn breath during the watching of this movie. Action sequences are inflamed, brutal, and frequent. The run of the movie is frenetic. The find is perfect throughout. The “education” of Vandy’s son by the rebels is heart-wrenching. Solomon’s overarching idea that fatherhood trumps all initially feels naïve, but is eventually revealed to be the singularly most remarkable force in the entire movie. Danny’s character–the realist mercenary who seems most obedient of surviving, when compared to Vandy–shows the most evolution, shedding layers of the personality onion until an dependable human appears. He is moved to announce an element of his past to the gorgeous American reporter (Jennifer Connelly), whose persistence and mutual survivorship cements a bond they both were too proud to admit from their first meeting. Archer and Vandy relationship morphs into something pretty when a sacrifice is needed, prompting Solomon to reverse that remarkably chauvinistic statement made by Rudyard Kipling over one hundred years ago: the “white man’s burden.”
This is hands-down Djimon’s most impressive performance: I have never seen him better narrate a character. In fact, he blurs the line between character and actor, totally suspending my disbelief to the point where I “knew” him only as Vandy. I have been told by an acquaintance–currently living in Zimbabwe (formerly Rhodesia) –that DiCaprio’s accent is spot-on. In addition, he was utterly believable as heartless mercenary, and his later transformation was also quite convincing. The action sequences were, as mentioned, jaw-dropping in their intensity, but never felt gratuitous or over-the-top.
Easily one of my five current movies of 2006–miss it, and you risk missing some of the finest cinematographic wizardry and directorial finesse of cinema from the last year, period.
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